Categories
Art Fashion

“Syria’s surviving threads”: How Al Aghabani bought Syrian embroidery to the fashion world.

Bringing Syrian culture to the world of fashion one thread at a time, Al Aghabani can be found on Etsy and Instagram, selling intricate and colorful embroidered pieces of clothing and accessories. Named after a traditional Syrian embroidery technique passed down from mother to daughter, they were able to transfer this art typically used for silk tablecloths onto various items, one of the most original being masks. Behind this innovative idea, can be found Tasneem Naffakh, a young Syrian woman currently living in the United States of America. She initially learned the craft through books and her mother’s guidance, and today works toward introducing this interesting part of her culture to the world. To know more about the thought process and the work that went toward making this Etsy shop a reality, there is only one person to ask, and that is Tasneem Naffakh herself.

Q: How did you start working with embroidery, considering that it’s a traditional craft practiced only by a selected few?

A: So for the pieces, I am selling right now, I am not the one who embroiders them although I do embroider – Syrian women do! Aghabani, or the type of embroidery featured on my pieces, is a handicraft only made in Syria. It is made by a woman on the outskirts of Damascus, particularly in the region of Douma. Once a woman in Syria from Douma is married she gets gifted a sewing machine and makes her living by guiding the machine to make intricate and beautiful designs. The designs are often inspired by the Syrian landscape – trees, flowers, etc.

I decided to work with Aghabani pieces because I was looking for textiles that were traditional to Syria. I initially did this research to seek out the textiles because I’ve always wanted to get into fashion and I wanted to bring in my culture and heritage to the brand I was building.

Aghabani and the embroidery done on the high-quality cotton is typically marketed and sold as tablecloths – but no one is buying tablecloths anymore. That’s when the idea came to me that I could transform the artwork into wearable clothing!

Q: Where do you get your inspiration for your various pieces of clothing and accessories?

A: I get my inspiration for my pieces and their style by looking at traditional Syrian folk wear. I go for styles that are more simple so they can properly showcase the embroidery!

Q: What pushed you to add this traditional art to the modern industry of mask making?

A: I started to make masks with the Aghabani because I realized everyone could own Syrian women’s art! Everyone was wearing a mask and many were looking to celebrate cultural heritage and people through it!

Q: What is one project, you dream of making with your embroidery skills?

A: Although I’m just selling what I sew now, I’d love to sell works I embroider with traditional cross stitch or tatreez. I want to tell stories with my work and infuse meaning. I would also like to come out with a full collection sometime soon that also utilizes Syrian brocade and silk!

Q: what do you eventually wish to achieve with your work?

A: With my work, in the end, I want to help revive and revitalize the Syrian textile industry. I want the artwork to live on and I want the Syrian people to have the chance to rebuild.

Categories
Art Literature Movies

Venus Ashu, the creator behind the short movie “Grown up”, opens up about her journey, inspirations, and more.

In the halls of the Royal Holloway University, or maybe with a group of friends on a stroll in the streets of London, you’ll find a young woman who is trying to get her art out for the world to see. Venus Ashue, this 20 years old literature student, isn’t only a skillful writer but she’s also a passionate and innovative photographer and filmmaker. Her artwork consisting of a collection of photo portraits, poetry, and 1 minute short movies serves as ways to channel the beauty and the reality of life which is not often represented and they can be found everywhere from TikTok to Instagram.  But now, she’s taking her work to the next level, with her newest short film called « Grown-up ».  We went directly to the source to try and learn more about Venus Ashu and how her creative mind works.

Q: Considering that your main field of study is literature, How did you start working in filming and photography?

A: Okay so, yes I started with literature because I just wanted to be a storyteller, I’ve been telling stories for a long time, I grew up doing it. Since the age of ten, I would read a lot and just write little things and then it became something I was serious about. Then at around the end of sixth form, I saw a lot of my friends studying photography and I liked the fact that they could do all these things with photos, so I wanted to experiment and try using photography as another way to tell stories.

Q: How do you combine all of these fields throughout your projects to create your specific brand of art?

A: Funnily enough, a lot of my inspiration does come from other works of arts, sometimes music and sometimes film but a lot of times it comes from what I study of English literature. For example, Venus, one of my self-portraits [the pink one], was named after the poem Adonis and Venus by Shakespeare which we studied in class. You wouldn’t think of it, but something in that poem bought an idea to life and I was just like « yeah, I need to tell this story through photography ». So a lot of it intertwine and influence my ideas, And vice versa, my photography influence what I write.

Q: From where do you draw the inspiration you use for your work?

A: Oof, anything that just sparks my imagination. A lot of it comes from studying different forms of literature but it also comes from films and music videos. For example, f the world music video, that gave me the idea of doing my own short movie, grown-up. A kind of montage-y … what’s the word…mémoire short film. For my photography, again, it can literally be anything, from my friends to a moment that happened in my life, or like, [laughter] a scene from Narcos if you guys are familiar with that show. It starts with a plethora of treads, of ideas from everywhere and I see what I can make of them.

Q: What can you tell us about your newest short movie and what audience do you seek to reach with it?

A: My short film, it’s a coming of age, teen movie. I think it’s a genre I really like because there’s just so much going on with teenagers that people don’t understand. It’s more than just the parties and the romance and this kind of…rebellious nature. It’s a lot more, it’s the stage in life where everything is just chaotic and you’re just trying to find your feet and there‘s just so much going on. So with this short film, I really want to explore that with relationships and how it’s very difficult for teenagers to establish relationships when they’re trying to find themselves and how narcissism is involved and how toxic it can become with this whole  « me, me, me » looking for my self thing. That’s a big theme we want to talk about with this short film and what I really love about this project is that we want to be able to include loads of different people. My first short film was a lot of just my friends and people that I knew but this time I wanna work with new creators, people I have no ideas about and just be able to network with new people and showcase new talents because I feel that, that is a really important thing especially for creators of color. I really want to use TikTok as a form of advertising for it because even though It will be on YouTube, I want to be able to bring as much traffic as possible and just keep on gaining a bigger audience because these stories need to be told, especially from the perspective of creator of color. I definitely want it to be a big thing, I don’t want it to be an annual thing of just always doing these massive projects with a whole new casting crew to just completely tell new stories with new faces etcetera.

“Grow up”- Trailer

Q: what do you wish to achieve through your artworks, both in the short and the long run?

A: The reason that I do anything and the reason why I am a storyteller and do what I do, at the core, is because I want to help people and change their life. I feel like art has the ability to move us to do wonders, to move someone to feel and I think once we have the feeling, the emotions, that is energy in motion. And energy makes up everything around us and that’s just physics. Everything around us is energy and once someone has that energy, it moves them to do things, it’s a domino effect. if I’m putting out a positive message, that initiates change, then that will allow someone else to also initiate change too. I feel that this is so important in this society where everything is just … absolute crap [laughter]. At times it feels like nothing is changing but art can do that for you. It has done that for me in the past. When I watched the TV show when they see us, that absolutely moved me to tears. That energy moved me to be focused on creating art for people of color And by doing that I’m giving other people a voice. By giving people a voice they are able to express themselves which will help someone else do the same. Do you see what I mean by the domino effect? I think once we start creating art as a message, something that moves people, that makes the world a better place, that’s all we can do really [laughter], that’s a really, really amazing way to leave our footprints in the sand and allow others to do the same and join this whole journey of positivity and love and shedding light on the voices of other people. That’s what I wish to do with my art.

You can find Venus Ashu on TikTok, Instagram, YouTube, and her website :

Categories
Art Entertainment

The boy who ruins paintings: Jack Carden’s say on anti-art, Dadaism and his future projects.

Between the millions of videos posted daily on TikTok can be found a blooming community of artists and art historians.  But lately, it’s in disarray, the balanced established have been shaken, by a…boy who ruins paintings..? Let me elaborate, Jack Carden, a 19 years old artist from New Zealand, has sparked both Horror and admiration in the hearts of every person that came across his pieces. The fine art and art history first-year student has started exhibiting his artwork at Christchurch’s The 013 gallery in 2020 and has now accumulated a big following on social media in a short time despite the controversy that surrounds his works. Having turned the heads of many, a big number of questions arose regarding the artist and his work. As such, we went directly to the source, Jack Carden himself, in hope of finding some answers.

Content warning: explicit language.

Q: How did you come to work with this style of art and from what do you draw your inspiration?

A: I have been drawing in this style since I could hold a pen. Something about messy left-handed handwriting and Scribbly drawings has always been a part of my bookwork growing up throughout school. In year 12, I was forced into art -I wanted to do chemistry- due to a timetabling issue at my school. I studied it for 2 years of IB. It quickly became my best subject. I researched Basquiat, Damien Hurst, Warhol, Keith haring, Jenny Saville, Hannah hock, John pule, the Dadaism movement, and so on. From these artists, I learned a lot about the intentions behind art, as well as ways of expressing oneself without limits – enter the whole of neo-expressionism. 

This combined with ideals from Dadaism and my neo-gothic touch, developed my style as it is known today.

Q: Anti-art is quite a vague concept, how would you say it applies to your pieces?

A: I would say anti-art applies to my work on a few different levels. Firstly, the most recent series of works I have done is based on Dadaist ideals – this “rejection of art”. The concept of taking pre-existing artworks that are not mine – f*cking them up – and then selling them for thousands… it’s almost like one sarcastic p*sstake of the art world, especially the “art world” of TikTok. And it’s beautiful. On a more simple level, the act of fucking up artworks is in itself is “anti” art. The final level however is irrelevant to the art I make. It’s about myself as an artist – and my approach to art. I am going against the traditional route to becoming an artist. I’m a fucking kid on TikTok – not a 60-year-old man painstakingly painting beautiful and intricate oil landscapes only to be discovered and praised after he dies. My approach to the art world fundamentally does not fit within its norms. Which is perfect. I love it. Because fuck the traditional path. Literally who the f*ck cares about that anymore? It’s a new era – so let’s carve a new path. I have always said that I would rather everyone hate my art with a passion than be indifferent.

 I’d much rather be an anti-artist than not an artist.

Q: Because of this, a lot of controversy surrounds your work and whether it is or isn’t art, but how would you define art?

A: To me, art is about provoking emotion. Whether good or bad, beautiful or ugly. And without a doubt, my art does that. But this “controversy” regarding whether my art is or isn’t “art” is bullsh*t. Beautiful bullsh*t. Who gives a f*ck if it’s “art” or not in everyone’s eyes. To spark a conversation – a heated, rage-filled argument – about my art in the first place is something that as an artist, is extremely fulfilling. And was entirely intentional. “Anti-art” is a controversial term – utilized to spark controversy… and it worked. Of course, it worked. I had no doubt it would work… but when I started seeing hate videos with hundreds of thousands of views, I knew it really worked. To quote @jayclaytonwelch “this kid made something that will have a bigger emotional impact than most artists will achieve in their entire lives”. It worked. Whether “art” or not… it worked.

Q: Regardless of that, you have recently gained a big following on social media, why do you think your art resonates so deeply with some people?

A: I think my art resonates with people for a lot of reasons. But what I like about it is that it’s not like I’m this “art connoisseur” character. I title my TikToks very deliberately. “Boy draws picture”. Because realistically, that’s all I am. And despite what some people say, that’s all I’ve ever claimed to be – a boy that draws pictures. Which is believable. Relatable. Achievable for anyone. at the most basic level. Of course lots of people relate to it for personal reasons – e.g. the writing itself conveys stories that some people will relate with or simply people just really like gothic art etc…

Q: And finally, what future do you envision for you as an artist, and for your work?

A: In the near future I have a lot I want to achieve. I am working on clothing currently – as well as a run of limited prints. There are also a lot of other artists and tiktokers that I want to collaborate with. Once Covid-19 has fucked off, I want to do a gallery show internationally – ideally in New York. 

@pamiathat

just a chill afternoon project #art

♬ original sound – tobert

In the far future, I envision myself as still not quite being accepted by the “art world”. Hopefully.

Whether you like him or not, Jack Carden entered the art world with a bang and is planning to continue leaving his mark through his artwork, opinions, and future project.

You can find jack Carden here:

Twitter: https://twitter.com/jackcardenart?lang=en

Instagram: https://www.tiktok.com/@pamiathat?lang=en

TikTok: https://www.tiktok.com/@pamiathat?lang=en

Site: https://www.jackcarden.art/

Categories
Art Entertainment Tourism

Iphigenia Papageorgiou: The creative mind behind the use of embroidery as a form of street art in Cyprus.

In the streets of downtown, Limassol can be found a multitude of varied forms of street arts, some are murals, some, are sculptures but between the restaurants and shops of Saripolou square, Limassol, can be found an unusual piece of work. In fact, on a wall hangs a metal grid in which is embroidered the picture of a woman holding a thread on a blue background by the artist Iphigenia Papageorgiou. A work to behold by tourists and locals alike, this artwork is marked by the unique craft through which it came to be, as most people don’t usually think of embroidery as a form of street art. The mystery behind this form of art and Its creator can be somehow dissipated by seeking out answers from the artist hidden behind the art pieces found all over Cyprus.

When asked about the reasons behind her choice to work with embroidery, the artist answered by stating the following: “I have been using threads since 2016 on tulle and other forms of installation doing a line drawing portraits.”

But this raises the question of how she decided to bring this form of art to the streets, despite how uncommon embroidery is in this specific field of the art world. According to the creator herself, here is how it started: “I was influenced by my city’s street art scene as I knew a few people involved.” she said. “They have given me the chance to participate at Street Life Festival and then I turned the thread into yarn and then onto metallic fences producing that result.”

Finally, a lot can be learned about the future Iphigenia Papageorgiou has planned for herself and her artworks through the following: “I aim to achieve a sequence of my own style that would be my final signature and be known worldwide as an Urban embroidery street artist.”

On that note, it is clear that this artist’s craft and works are an innovative way of transforming embroidery into accessible urban art with the potential to make her a worldwide known artist.

Important links:

https://www.iphigeniapapageorgiou.com/

https://instagram.com/iph.arts?igshid=s12btrsnca6c

Categories
Art Entertainment Literature

Tik Tok’s aspiring young talents: behind the typewriter.

If you, like a big part of today’s youth, have passed some considerable amount of time on the social media app tik tok, you might have stumbled upon some interesting videos. In fact, for today’s youth, tik tok is quickly becoming an outlet for their creativity. While browsing the famous for your page you might have stumbled upon an interesting video of someone, writing on a typewriter some poetry, stories, or quotes. Curiosity led a lot of people wonder, who is behind the typewriter? I got in contact with Alex Caralyen the 16 years old aspiring writer behind the tik tok account @suchalostsoul and she was willing to answer some of our questions:

Q:when did you discover you had a passion for literature?

A:I think I have always used books and literature as a way to escape reality. It helped me find comfort that I was not given in my life. It might sound strange but it felt as if the characters were drying my tears when no one else would. Eventually I started writing my own comfort fiction, giving myself traits and characteristics that I deeply wished I had.while I was doing that, I realized that I was not that horrible at it. That I do have a certain way with words. And I started writing more and more because the positive reaction from my fellow peers gave me a sense of validation and certainly helped my rather broken ego. Then, around four years ago, I realized that this is what brings me joy. This is what I want to do with my life. I want to write, I want to tell stories and from there on, it became my passion and it has been ever since.

Q:what inspires the themes found in your writing?

A:Most of my poems, especially my most popular ones often center around two topics. One of them being wlw(a women loving women), which is inspired by my love for women and many of the topics featured in said poems are based, although loosely, on my relationships. I think back to moments I have experience with my current and past lovers and try to find a way to capture those emotions in a few words. Examples of such emotions are denial, rejection, heartbreak but also happiness, euphoria, a sense of belonging. The other topic is often catholic guilt. I bring this into my poetry because people seem to enjoy it very much and although it might sound shallow, I do quite enjoy seeing my poetry be liked and adored, I think most poets receive some sort of gratification from it. But the topic is also personal as I was raised Christian and grew up in a generally Christian country while being in two groups of people who were very oppressed by the church and still are in some parts of the world. So I carry this so-called catholic guilt or religious trauma. Generally , I just write about topics I experience myself. Anger at the world, uncontrolled rage, painful sorrow, a deep depression, intoxicating epiphany. The poems often are inspired by the emotional state I am in when I pick up the pen.

Q:what would you say is your favorite literary or artistic movement and why?

A:Romanticism. Both in literature and art. I adore it. The painting, and the art in general, just cause a feeling in me that is hard to describe. I find it very aesthetically pleasing and extremely beautiful. It also has many pretty women portrayed which is certainly positive. I enjoy the literature as well because I often find other literary movements dry in a way or rather tiring. I find myself and my style of writing more in romanticism than in anything else. My style is more inspired by texts and novels from those movements. I simply find it beautiful to read and it helps me improve my style further.

Q:What is one ambition you seek to achieve through your words?

A:I seek validation, in a way, a reminder that I do have a talent when it comes to literature because I cannot give myself enough validation, I do not think good enough of myself for that. I also want to just please people. I don’t need them to deeply analyze it or think of some deep and hidden meaning of it. I like Oscar Wilde’s concept on this topic, to just enjoy the art for the sake of enjoying it. Liking a poem because it sounds pretty and makes you feel warm inside. Hanging up a painting on your wall because you think it looks nice. Not everything has to have meaning, you can just enjoy it. I want my readers to like my poems and get some sense of joy out of them. At the same time, I hope that my reader resonates with my poetry, that the ones about heartbreak and denial and sadness make them feel heard and understood. Let the pain be a pain. Feel it. Of course, I don’t want anyone to feel negative emotions but it can help if you read something and no longer feel alone in the darkness that surrounds you.

Q:And finally, why the typewriter?

A:I have found that the typewriter is a good way to present my poems to people in video format. It interests them and the aesthetic effect of it makes them stay longer or, forgive me for the poor word choice, vibe with it more. It is boring for most people to just read it in a picture when you are expecting a video but the unusually beautiful presentation through the typewriter is what they enjoy, so I decided to stick with it. Also, I do love writing on my typewriter. I think it helps me to motivate myself to write, simply because it makes me feel more like an actual author than just a girl juggling around with words.

If you’re curious about Alex’s writing, it can be found on tik tok and Wattpad. All the necessary information can be found in her tik tok account.

Links: https://vm.tiktok.com/ZSXfE4RL/

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